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Marissa Cote

Marissa Cote is an interdisciplinary artist based in Boston, MA, USA. Raised Christian-Evangelical, her work explores her exit and deconstruction from organized religion, and the personal reconstruction she cultivates through queerness. Cote earned her MFA at Cornell University, where she focused on the queer futurity proposed by ceramics - a material process that adopts the provisionality and risk of building utopia. Cote earned her BFA with Honors from MassArt in 2018. In 2026, she was awarded the Dedalus Foundation National MFA Fellowship in Painting and Sculpture. Her work has been shown in numerous exhibitions, including at Ortega Y Gasset Projects (New York, NY), Photographic Resource Center (Cambridge, MA), Tilton Gallery (New York, NY), and Machines with Magnets (Pawtucket, RI).She was recently named one of Ortega Y Gasset Project’s Artists to Watch. Her first book, Architecture of Longing, is set to be published in 2027.

I am an interdisciplinary artist working primarily in ceramic sculpture. Through weaving, quilting, clay, and assemblage, I materialize visions of queer utopia. By engaging sites of labor such as construction and the loom, I sculpt architectures of longing and belonging. My sculptural assemblages of queer futurity mimic dwellings, built environments and vanishing points. Through ceramics, my practice embodies the provisionality and vulnerability of queerness - as a horizon, as a site of hope, risk, and disappointment, and as a glimpse of utopia. My ceramic forms are inspired by construction materials and bodily appendages, perforated and often glazed in skin and bone tones. Modeled after skeletal architecture and viscera, they pull the internal out. Weavings and quilts introduce softness and incompletion (more fragment than whole) offering snapshots rather than resolutions. Color is foundational to my work. Ephemeral oranges, reds, purples and fluorescents signal both temporality and the sublime - they connect body to soul when paired with flesh tones of the ceramic. My sculptures are assembled as proposals: yearning, exposed, and precarious. A break can be rebuilt, and in my work, as in my philosophy of queer utopia, there is no fault in failure. Debris belongs here - it is evidence of risk, evidence of going on.

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the foundation on which my body knows yours, 2025
Ceramic stoneware and cotton
26” h x 26” w x 32” d

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Fluorescent Men, 2026
Book spread from Architecture of Longing, printing in 2027 by Onward and Company

 

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Architecture of Longing, 2026
Printing in 2027 by Onward and Company

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Pile Driver, 2025
ceramic stoneware
48"h x 11"w x 12"d

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Moon Warp, 2026
Cotton, rayon, polyester, nylon, silk, ceramic stoneware
Site specific installation

I Beams (you and me), 2025
Ceramic stoneware, rope
36" x 14"

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Chains, 2025
Ceramic stoneware, cotton, steel, silk, carabiners
68"h x 24"w

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